SEMI CITY / RESEARCH ARCHIVE 01

Zigong
City Portrait

Reconsidering how a city becomes itself through landscape, cultural life and urban memory.

TIME
2018 (final report)
ROLE
弥生: lead editor and writing coordinator
FORMAT
Collaborative research project
Historic photograph of the Fulong salt field in 1929
A historical image is not illustration. It is evidence of how a city came to be. Fulong salt field, 10 October 1929, Arnold Heim.

A “city portrait” is not a single promotional image. It is the set of conditions, histories and lived accumulations through which a city can be sensed, understood and recognised.

AT A GLANCE

What this research examines

Starting point

Beginning with urban renewal, the research takes stock of the landscape, culture and everyday resources that remain in an old industrial city.

Method

It first reads the city’s overview, symbols and civic memory; then identifies structures in landscape, culture and history; finally it proposes directions for further discussion.

Core proposition

Landscape forms the skeleton of a city portrait. History and everyday life are its core. Together they make a city irreducible to another.

RESEARCH FRAMEWORK

Four ways into Zigong

  1. 01
    Landscape

    Mountains, the Fuxi River, reservoirs and green space form the city’s spatial structure. “Half green mountains, half city blocks” is a way to understand the city through this relationship.

  2. 02
    Taste

    Salt production shaped not only industrial history, but also food, wharves, streets and daily life. Urban character can reside in ways of life that can be tasted and told.

  3. 03
    Living

    Salt-field spectacle, dinosaurs and lanterns are experiences accumulated across different periods. They need to be read again in relation to urban space and public life.

  4. 04
    Performance

    Folk arts, customs, temple fairs and salt-field trades preserve traces of how local society organised life. They remain cultural threads that can return to the field.

The research treats the formulation “A distillation of Sichuan, a city of flavour; salt, dinosaurs and lanterns, with a hundred performances” as a provisional proposition to be tested, expanded and retold—not a final conclusion.